The Trouble with MIDI
The trouble with MIDI is that it is too good to sound human. Nobody, not even
Van Cliburn, could strike all the keys on his piano at precisely the same
moment with precisely the same amount of force. Our ears are tuned to hear all
those minute variations and we are disappointed when they are not there. We
say the music sounds "robotic", "machine like", "stiff", "stilted", etc.
Any dumb computer can play a Bach fugue. It will sound great because the
composition was great. However, it will never sound incredible because it
lacks soul, heart, and touch. I wrote Touché to fix that problem.
Imagine if Eric Clapton or Jimi Hendrix or B.B. King played "exactly" what was
written instead of doing their thing. Yeecchh. The subtle magic we call
interpretation, phrasing, or expression is simply the overall impact of all
those "near misses" and slight imperfections of timing, volume, attack, and
accent that give any musical performance that human touch.
Touché does not do anything that a good sequencer and hundreds of hours of
labor couldn't accomplish. You could edit the event listing line by tedious
line and get similar results, but if you want to try a slighty different
interpretation of the music you have to do it all over again. Get one number
wrong and you'll hear some awful howls from your speakers before you can hit
the panic button.
Touché takes care of all that for you while giving you creative control with
the sliders. You decide how much timing variation, velocity (volume, usually)
variation, to use. You can even decide how heavily the down beats get accented
from none at all to OOM pah pah.
Touché will even help musicians who just use MIDI to record their work. If you
"quantize", even a little bit, to fix up some of those fumbling finger futzes
you've lost that human touch in your music. Touché will put the "touch" back
in your MIDI file and even gives you the capability to re-interpret a piece
without re-recording it.
Whether you use Touché as a performance enhancer or as a final midi composition
processor, you don't know how good your MIDI files really sound until they've
been "Touchéd".
D²T
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